If when you look around and contemplate a pop music scene with a lot of bands but not one of them drinks from the fundamental sources of rock and roll what can you do? The answer is simple: assemble a rock band.

This is the approach that led to Pelayo Lavieja to be last train. Rock and roll is the sound of the city, pagan ceremony, music was invented for girls dancing … Every art form evolves, but rock bands are centered in the protest, the technical superiority or directly become boring, is that something was lost on the road.

So, inspired by American music of the 50’s, Last Train was born in a provincial town in the XXI century Spain. Nobody said it would be easy. But if less than a year have made more than 20 concerts, playing in one of the temples or reaching rockers opening for rockabilly legends like Crazy Cavan, is because they have come to fill a gap.

Musically, all inspiration is valid for 50’s Last Train, as if the Beatles had never existed. From rockabilly, screening for Sam Phillips at Sun Records, to giants like Elvis, Orbison, Cash and Perkins to the blackness of the true founding fathers as Chuck Berry, Bo Diddley and Little Richard. Sometimes inspired by the neatness of the perfect melody of Buddy Holly and others appear to be the rhythm section from Creedence Clearwater Revival has joined the band to set up Robert Gordon and Link Wray.

Musically, all inspiration is valid for 50’s Last Train, as if the Beatles had never existed. From rockabilly, screening for Sam Phillips at Sun Records, to giants like Elvis, Orbison, Cash and Perkins to the blackness of the true founding fathers as Chuck Berry, Bo Diddley and Little Richard. Sometimes inspired by the neatness of the perfect melody of Buddy Holly and others appear to be the rhythm section from Creedence Clearwater Revival has joined the band to set up Robert Gordon and Link Wray.

Paying homage to Eddie Cochran and Gene Vincent, Last Train concert go on to become parties of more than two hours to entertain and have fun just as well have released an EP based on the ethics of the 50 Music: Zero devices. Using a direct technique with a single shot and vintage equipment, something as simple as four musicians locked into the same room playing and recording old songs of rock and roll, adjustments and issues specific to the old way. True to the canons of the genre, not short concerts and compositions purist versions of unquestionable taste 50 s through rabid and epileptic adaptations of the rich American songbook of the golden age of rhythm and blues.